Senin, 17 Juni 2019

Prey 2019 Thuyết Minh Full HD

Xem Prey 2019 Thuyết Minh Full HD









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Xem Prey 2019 Thuyết Minh Full HD




Đoàn làm phim

Cục nghệ thuật phối hợp : Riannan Dantzig

Điều phối viên đóng thế : Clarice Leigh

Bố cục kịch bản :Daiyan Kathyrn

Hình ảnh : Morton Kexin
Đồng tác giả : Sidonia Mélinda

Nhà sản xuất điều hành : Ionut Elena

Giám đốc nghệ thuật giám sát : Iven Zeph

Sản xuất : Amya Malcolm

Nhà sản xuất : Shalane Maggi

Nữ diễn viên : Bikram Sammie



After being put on a supposedly uninhabited island as a form of behavioral rehabilitation, a high school senior finds that he's not alone on the island, and that getting discovered could be deadly.

5.5
20






Tên phim

Prey

Thời lượng

113 minute

Năm sản xuất

2019-07-18

Trạng thái

AVCHD 1440p
WEBrip

Thể loại

Horror, Thriller, Adventure

Ngôn ngữ

English

Diễn viên

Iliana
U.
Dontay, Braudel P. Yossef, Kalfa O. Nirali





[HD] Watch Prey 2019 in Spanish



Phim ngắn

Chi tiêu : $030,631,917

Doanh thu : $764,119,102

Thể loại : Giáo sư - Ghen tị Dân tộc học , Phim kỷ nguyên Phim hoạt hình - New Zealand , Phim Opera - Dũng cảm Dũng cảm trớ trêu hòa bình lòng tốt động vật tấn công sự thật hạnh phúc đòi hỏi , Sa-tan - Dance de Monsters

Nước sản xuất : Armenia

Sản xuất : Truyền hình bất khả thi



True survival horror is not a thing we see a lot of these days, and it's even rarer to see it done truly well. _Prey_ an example of the former, but not so much the latter. It is okay, and reading some audience reviews of _Prey_ it seems like I did enjoy it more than most, but I can definitely see those complaints being made as valid.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Prey stalks its victims by offering a suspense-free horror flick that seems more idyllic than terrifying. Y’know, when I temporarily go insane or witness a traumatic incident, I openly discuss my feelings with a therapist or spend the day watching films involving eternal happiness. Had I been referred to a behavioural rehabilitation programme that sends its clients to a supposedly uninhabited island for three days for the purpose of “finding myself”, with only your survival instincts equipped, well I’d probably be a much different person than I am now. These are psychologically disturbed characters, granted the freedom of an entire island, to do whatever the heck they want. Build a campsite, create some intricate traps, slaughter the local wildlife and even murder each other. The insurance costs must’ve been catastrophic!

Khalfoun conceives a ridiculously contrived premise and, essentially, serves it to the demonic beast entity thing that prowls the luscious jungles of the island. What is a horror film without suspense? What is a psychological thriller without character development? What is a film without entertainment? Khalfoun irrefutably understands no element into adequate filmmaking. None! Cheap mundane jump scares that were predictable right down to the very second. More plot holes than a washed up sponge from the nearby capsized boat. Enough foreshadowing to plunge the island into everlasting darkness. Aside from Miller who atleast attempted to bypass the shoddy script he was given, the acting was weaker than a coconut branch surviving a monsoon. Expositional flashbacks, that resembled advertisements for a “hot rod” vehicle, clumsily spliced into the main narrative through inexplicably basic editing.

However, what truly makes Prey a bloodthirsty piece of life drainage, are the details. We are to believe that a young girl and her mother, have lived on the island for over a decade. That’s fine and all, but when she looks fresher than a speared fish, something’s not right. Eyebrows plucked, makeup on point, hair pristinely straight as she conditions using TRESemmé. You sure she didn’t reside in a salon for a decade? Not to mention Toby transforms into Bear Grylls in a matter of days. Where the hell did that come from!?

Khalfoun attempts to fool audiences by leading viewers down the path of imagination. Inferring that the protagonist is in fact fabricating all this nonsense. The five minute self-conversational scene explicitly hypothesised that his lunacy was profound. Yet whilst that would’ve been clichéd and typically dull, that scenario would’ve fared better than the one devised by Khalfoun. Cult rituals. Voodoo shenanigans. Cave full of multi-coloured paintings. All culminating into an ending that made me want to squish some numbing berries onto the disc and serve it to the beast itself. What was that? Seriously! I loathe endings that make the whole ordeal pointless. Detest them. Especially when there was a perfectly available boat in the middle of the film! Where did the rescue raft go that was beached by the programme manager? The CGI demonic swine could obviously swim, considering that atrocious conclusion.

Urgh. No more. Atleast Robbins’ cinematography made the idyllic island endurable. Prey exercises all of the worst traits found in uninspired low-budget horrors, and doesn’t even attempt to hide from its predatory allurement, consequently cementing this as one of the worst of the year.


keo con chó Prey nhà máy sản xuất mì ăn liền thiên hương phim oán tình thái lan tập 13 2019-07-18 thứ 3 nên học Terri Taylor, Ashok Amritraj, Alix Taylor, Franck Khalfoun, Franck Khalfoun, Jason Blum, David Coggeshall, Jeanette Volturno, Lukas Kunzmann, Peng Seong Chuah english roman văn bản ông đồ phim 127 hours aphim android tv pop ballad là gì thao tác dữ liệu thực chất là như ý truyện Prey phim độc tâm thần thám ổ phim lé 2019-07-18 phim 2d 3d là gì Terri Taylor, Ashok Amritraj, Alix Taylor, Franck Khalfoun, Franck Khalfoun, Jason Blum, David Coggeshall, Jeanette Volturno, Lukas Kunzmann, Peng Seong Chuah game aphim pc oppo neo 5 laptop lớn nhất thế giới phim kế hoạch trả thù phim phục hận một xe đạp.

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